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Home /Products /Rose Handle

Rose Handle

Aragon
Aragon
The surfaces are generated by two opposing convex curves moving from the rosette to the tip of the handle forming a curve that gradually softens
Aragon
Madrid
Madrid
Subsequent refinements to give the handle a sober and elegant appearance, in character with the architecture and the furnishings.
Madrid
Castilla
Castilla
A twist is a simple object with complex geometry that unites and consolidates two sets of characteristics. For the anatomy of the lever, the shaft containing the cylinder fluidly turns into the flat plane of the lever, smoothly converting from tubular to the flat surface.
Castilla
Vigo
Vigo
These are characteristics that allow a product to resist changes in fashion and remain always modern and fresh.
Vigo
Valencia
Valencia
That expressive experiment was combined with a process of formal definition that takes ergonomics into consideration. In the polished chrome version, the separation of the elements attains its most luminous and innovative appearance.
Valencia
Munich
Munich
Its geometry is based on the modulation of a single oval section. As the handle bends by 90 degrees, it gives body to the image of the lever.
Munich
Santoz
Santoz
The essentiality of Living is revealed in the interpenetration of elementary forms attributable to the two components of the handle: the horizontal part proper, intended for the socket, and the insertion of the underlying volume, used for connection with the door plane and functioning as the axis of rotation.
Santoz
Verona
Verona
For its clean lines and lean visual language, Verona is an inspiration from the German functionalist architect Ferdinand Kramer.
Verona
Lebrija
Lebrija
The elegant simplicity of the front view conceals a tactile quality that is only revealed in the act of gripping the handle, which offers the experience of a soft organic shape on the inner side.
Lebrija
Frankfurt
Frankfurt
Its an inspiration from the fantastic dynamics of flight to design a form that invites lightness.
Frankfurt
Rome
Rome
So the Rome takes up the sculptural element that characterizes the facade, a powerful curved form. It is lightened by a groove running the full length of the lever, which also improves the ergonomics between hand and object.
Rome
Austria
Austria
From this came a rectangular section, softened by rounded edges, which not only improves the ergonomics but also facilitates the handle’s producibility by molding.
Austria
Ibiza
Ibiza
The dynamic effect to obtain for the handle could be expressed by slicing off the two extremities. Seeing that they weren’t symmetrical, the cuts needed to have different inclinations.
Ibiza
Bolzana
Bolzana
The design is reminiscent of Constructivism, an effect emphasized by the meticulous attention to proportion and surface shine.
Bolzana
Alicant
Alicant
Although alternatives, the two models complement each other in the ambit of established familiarity.
Alicant
Hornos
Hornos
The result of this small but complex operation is emphasized. Its name was chosen in reference to the diamond and its faceted surface, multiplying reflections in a thousand directions, but still possessing formal clarity.
Hornos
Monza
Monza
At first glance, the handle seems ultra elementary. An element with an elliptical section comes forward from a circular rose. At one-fourth of the length of the handle, it bends by 90 degrees to form the grip, maintaining its elliptical section. The handle ends sliced neatly by 45 degrees, revealing a cut with a circular shape.
Monza
Venice
Venice
The idea behind this handle is the desire to escape from the geometry and traditional ergonomics of this domestic instrument, and transform it into a welcoming form around which to wrap our hand.
Venice

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